Skip to content
>> Home > Discussion Papers > Research by Themes > Geography of the Creative Industries > The relationships between cultural organisations and local creative industries in the context of a cultural district

The relationships between cultural organisations and local creative industries in the context of a cultural district

Wall art

This Discussion Paper was commissioned by the Creative Industries Policy and Evidence Centre (PEC) and delivered by AEA Consulting (AEA) in partnership with Professor Geoffrey Crossick. 

It explores the relationships that exist between ‘anchor’ cultural institutions and local creative industry businesses within shared locales and calls for more formal coordination, tailored local funding and targeted R&D to better facilitate knowledge exchange and supply chain interaction.

The paper uses five cultural districts as case studies; Culture Mile in London, Salford Quays in Newcastle and Gateshead Quays, Better Bankside in London, Bristol Harbourside, and Dundee Waterfront to explore the relationships that exist between large not-for-profit cultural institutions in these areas (e.g. Watershed Bristol, V&A Dundee) and local creative industry businesses.

Over 150 cultural sector representatives including business owners and freelancers took part in the research. It focused on interactions within three specific themes of area branding and placemaking, knowledge exchange, skills development and networking and supply chain interactions.

The report finds that ‘master-planned’ cultural districts have a significant impact on area branding and placemaking and that they strengthen the pull of creative businesses. Universally representatives from creative industry businesses reported that the presence of larger anchor cultural institutions supported the character of their local area and made it a more attractive place to visit and work. The report puts forward a number of measures that could be employed to encourage greater knowledge exchange and supply chain interaction.

There is a need for more coordinated neighborhood networks to support awareness of creative businesses in the locality. Such networks could be facilitated by local councils or by universities, where present. Local and national funders should consider targeted investment for research and development (R&D) project collaboration to stimulate cross-sector innovation and encourage new business opportunities. 

A number of cultural organisations suggested that councils could play a bridging role in cultivating relationships. It was noted that the move to more online programming and the need for high-quality audience experience provides an opportunity for cultural institutions to engage more with local specialist digital companies.

Large scale cultural institutions can and do support local creatives through hosting talks and networking sessions and providing subsidised studio and work spaces. 


Related Discussion Papers

metal wire art installation - courtesy of Alina Grubnyak
International Trade Challenges and the Effectiveness of Support Measures for the UK’s Creative Industries

The formidable challenges confronting the UK’s creative industries in the realm of exports, st…

High Street
Northern England’s Creative Industries

The Creative Industries are already a driver of growth across the UK economy. Export-intensive and m…

Side of building with artwork of man and a robin
Creative Destruction? Creative firms, workers and residential gentrification

A new study by Tasos Kitsos, Max Nathan, and Diana Gutierrez-Posada finds only a minor influence of …

Family watching a tablet
Speaking with One Voice

A fundamental remit of the BBC, and other public service broadcasters (PSBs) like ITV and Channel 4,…

Dance performance
Transitioning to Sustainable Production across the UK Theatre Sector

This discussion paper examines transitional pathways to sustainable theatre production in the UK. By…

clothes hanging on rail
Identifying and analysing UK fashion micro-clusters

The UK’s Fashion and Textiles industry contributed almost £20 billion to the UK economy in 202…

Tree close up in a forest
Net Zero as a catalyst in fashion micro and small enterprises

This report identifies examples of work taking place across three levels of change – social, e…

Union Jacks over Portobello Road, London
The Motives of Inbound Foreign Direct Investors in the UK Creative Industries

The UK’s creative industries have a global reach. British arts, technology, and design are internati…

EU Flags on flag poles
Brexit uncertainty and international trade in services: Evidence from the UK creative industries 2014-2019

This discussion paper is based on one of the first studies to look at the impact of Brexit on the Cr…

Arts centre
Working Together – Cooperatives as a creative industry business model

This authors looks at how creative workers and students typically understand cooperatives, explore t…

Music Concert
Building sustainable regional music industry clusters

This report looks at the role the creative industries can play for the Levelling Up agenda, as well …

Monkey sign on lamp post
Crypto art and questions of value

Crypto Art is a novel, emerging creative form that is entirely digital, and native to the internet. …

Authors

Sign up to our newsletter